jump/ cut | cataract || women's
work |
From the OBIE-Award winning team
that brought you Nita and Zita and Anna
Bella Eema, The Cataract has
been called "Pure Magic".
With the mighty Mississippi serving as a powerful backdrop, Lisa
D'Amour's stark and poetic play fuses the natural elements of wind,
water, wood and stone to the interiors of its four characters. At
the dawn of the new age, Cyrus (Barnaby Carpenter)
and Lottie (Kelly McAndrew) take in a transient
Southern couple, Dan(Tug Coker) and Dinah (Vanessa
Aspillaga). Dreams converge with sexual tension, suppressed
emotions with desire, flooding the carefully laid landscape Cyrus
and Lottie have designed.

L.to R. Tug Coker and Kelly McAndrew
photo by T. Charles Erickson
Vanessa
Aspillaga (Dinah) Ms. Aspillaga is currently
in the LAByrinth Theater Company workshop production of ALL
THE BAD THINGS by Cusi Cram at the Joseph Papp’s New
York Public Theater. Last summer she played “Audrey” opposite
Richard Thomas in the New York Public Theater Shakespeare Festival
production of AS YOU LIKE IT, at the Delacorte Theater
in Central Park. She played “Marela” opposite Jimmy
Smits in the 2003 Pulitzer Prize winning play ANNA IN THE
TROPICS taking it from the McCarter Theatre in Princeton,
NJ, to the Royale Theater on Broadway. She has originated numerous
roles in Off-Broadway, regional, and workshop productions by
diverse writers including Philip Courtney, Cusi Cram, Nilo Cruz,
Migdalia Cruz, Rogelio Martinez, Lynn Nottage, Adam Rapp, Joe
Sutton, Liz Swados, Heather Woodbury, and Brooke Berman. Film
and TV credits include: Petty Crimes aka Aller-
simple pour Manhattan, My Best Friend’s Wife, Stringer, Pyrite, Exiles
in New York, Mr.Wonderful, The Jury, Law & Order, Deadline, As
the World Turns, and PlayStation 2 Grand Theft Auto San
Andreas (voice of Michelle Cannes). She is also a playwright
whose play hush was produced by INTAR Theatre’s
New Works Lab 2002. Ms. Aspillaga is a member of LAByrinth Theater
Company, a Usual Suspect at New York Theatre Workshop, and an
INTARTISTA at INTAR Theatre.
Barnaby
Carpenter(Cyrus) Off Broadway: Humble Boy (Manhattan
Theatre Club), Observe the Sons of Ulster Marching Toward
the Somme and Far East ( Lincoln Center). Other
New York credits include Don’t Lose Your Head (Women’s
Project, The Culture Project, Timsloft), The Bigger Man (Center
Stage) and The L-Curse (New Perspectives Theatre). Regional: Proof (Arena
Stage), Top Ten People of the Millennium (Victory Gardens
Theater), Far East (Westport Country Playhouse), A
Baltimore Waltz (Henlopen Theater) and The Importance
of Being Earnest (La Jolla Playhouse) for which he won a
Drama-Logue Critics Award. Film and TV: Shuffle (upcoming), Conversations
with ID, Young Indiana Jones Chronicle and American
Gothic. Barnaby received a B.A. from Duke University and
an M.F.A. from the University of California, San Diego.
Tug
Coker makes his Off-Broadway debut with The
Cataract. Other New York credits include Dear Vienna
(Vital Theatre Company) and Broken Window (Theatre'
Trouve). Regional credits include: A Midsummer
Night's Dream and Snow in June (American Repertory
Theatre); Take Me Out (Studio Theatre, Washington
D.C.); You Can't Take it With You (Capitol Repetory
Theatre); Medea and Frenzy for Two, or More
(Eastenders Repertory Company), Baby (A.C.T. Studio
Theatre), and Cervantes' Gaze (Moscow Art Theatre). His
television credits include "Guiding Light”, “All
My Children" and the NBC pilot "NY-70". Mr. Coker
holds an MFA degree from American Repertory Theatre/Moscow Art Institute
for Advance Theatre Training at Harvard University.
Kelly
McAndrew (Lottie) is thrilled to be working on The Cataract
with the Women's Project . Broadway: Cat on a Hot Tin Roof (with
Ned Beatty and Jason Patric). Off-Broadway: Book of Days (Signature
Theatre); Down the Garden Paths (Minetta Lane). Recent
regional credits include: Three Sisters (ART), Eugene's
Home (Berkshire Theatre Fesitval), Proof (George
Streeet Playhouse), Talley's Folly (Rep. Theatre of St.
Louis and Cincinnati Playhouse), The Miracle Worker and The
Great White Hope (Arena Stage) and Holiday (Olney
Theatre) for which she was nominated for a Helen Hayes Award for
Best Actress. Kelly has also worked with The Arizona Theatre Company,
the Pioneer Theatre, Shakespeare on the Sound, The Unicorn Theatre
and the Cape Cod Theatre Project. Film/TV: As the World Turns,
New Guy, Company K, Out of the Darkness. Training: MFA University
of Missouri, Kansas City. Proud member AEA
Lisa D’Amour (Playwright)
Lisa D'Amour is a playwright, solo performer and multidisciplinary
theater artist. Recent projects include LANDMARK: 24 HOURS @ THE
STONE ARCH BRIDGE, a site-specific performance on the Stone Arch
Bridge in Minneapolis; NITA & ZITA, which received a 2003 OBIE
Award and toured in 2005 to the Contemporary Arts Center (New Orleans)
the Walker Arts Center (Minnneapolis) and HERE Arts Center (NYC);
and DREAM OF A WEST TEXAS MARSUPIAL GIRL, a musical for children
which will premiere at Children's Theatre Company (Minneapolis) in
2007. Lisa has received fellowships from the Jerome and Mc Knight
Foundations, as well as grants from the Multi Arts Production Fund
and the Minnesota State Arts Board. She is the recipient of a 2005/6
NEA/TCG Playwright's Residency to work on a new play with Infernal
Bridegroom Productions (Houston). She received her M.F.A. in playwriting
from UT Austin. She is a core member of the Playwright's Center,
a resident artist at HERE and a resident playwright at New Dramatists.
Katie Pearl (Director)
As both theater director and performer, Pearl collaborates with writers,
musicians, and visual artists on new plays and site specific performance
events. Recent projects with nine year collaborator Lisa D’Amour
range from LIMO, an indoor performance installation
in a corporate atrium (Performance on 42nd Series/Whitney Museum
of Art at Altria), to their self produced Nita & Zita (Village
Voice OBIE Award, 2003), to LandMARK, an outdoor 24 long interactive
art event at the Stone Arch Bridge in Minneapolis (the same bridge
that Cyrus and Dan are building during THE CATARACT).
Other recent directing credits include Sheila Callaghan’s Crumble
/Lay me down, Justin Timberlake (Clubbed Thumb @ the Ohio),
Steve Moore’s Nightswim (State Theater, Austin
TX), and Sally Oswald’s The Painful Adventures (Labapalooza
Puppet Lab @ St. Ann’s Warehouse).
Pearl has developed work with writers at the Playwright’s Center
(MN), New Dramatists and Soho Rep (NY), and University of Texas/Austin.
She has led workshops at Amherst College/ Ko Performance Festival,
Dartmouth College and Brown University (with D’Amour), Shonto
Prep/ Navajo Nation, and taught classes for the Long Wharf and Hangar
Theaters. She is an alumnus of the Drama League of New York (directing
fellow, 2000) and a Roothbert Fellow, 2004. Pearl is a proud member
of Physical Plant Theater of Austin TX, and continues to be part
of both the Austin and NYC theater communities while intermittently
pursuing a graduate degree at the School of the Art Institute of
Chicago.